Aberystwyth Arts Centre 2018

Land / Sea Mike Perry

Aberystwyth Arts Centre
Aberystwyth University
Penglais Campus
Ceredigion  SY23 3DE

22 September-17 November 2018

Panel Discussion and Opening- October 18th 6 – 8.30pm

Mike Perry is an artist whose work engages with significant and pressing environmental issues, in particular the tension between human activity and interventions in the natural environment, and the fragility of the planet’s ecosystems.  Land/Sea is a major new Ffotogallery exhibition, which brings together recent bodies of work addressing how the natural biodiversity of landscapes and marine environments is undermined and made toxic by human neglect, agricultural mismanagement and the pursuit of short-term profit at the expense of long-term sustainability.

Installation photograph, Wet Deserts, c type photographs 195cms x 165cms

Using a large format analogue camera and combining painterly aesthetics with a hard-edged environmental narrative, the photographic images in Wet Deserts shed a very different light on the health of the upland landscape than one is accustomed to seeing in tourist brochures or romantic paintings and landscape photography.  Perry focuses his gaze on mundane and typically overlooked locations here in Wales, often in places commonly referred to as areas of natural beauty, our national parks. He does not offer us dramatic aerial vistas of oil-polluted landscapes, but low-angle, near distance images of charred scrubland and landscapes left barren from tree-felling or over intensive sheep farming.

Môr Plastig (Welsh for ‘plastic sea’) is an ongoing body of work that classifies objects washed up by the sea into groupings. It is an open series of photographs ordered into Bottles, Shoes, Grids, Abstracts, and others. Perry photographs the found objects individually, straight on to camera with a flat neutral light avoiding the emotionally charged atmosphere often associated with environmental photography. By using a high-resolution camera to capture the surface detail, the artist allows the viewer to ‘read’ markings and scars etched into the objects by the ocean over months, and in some cases years.  He wants the viewer to be intrigued and challenged by how a polluting object can be so aesthetically appealing. In his own words:

“in addition to seeing these pieces as symbols of over-consumption and disregard for the environment, I also see them as evidence of the beauty and power of nature to sculpt our world, whatever we humans decide to throw at it”

Installation photographs, Môr Plastig, Archival prints on Hahnemühle PhotoRag, 2012 – 2018

Perry’s work resists easy categorisation. Photography is central to his practice, yet always in its multifaceted relationship to and dialogue with painting and drawing, sculpture and installation art. The influence of Minimalism is strong with serial arrangements, grids, and an interest in form, surface detail and abstraction.  Repetition of visual motifs in specific bodies of work is deployed as an artistic strategy that is cumulative and greater than its parts, teasing out subtle differences whilst alerting us to the dystopian consequences of waste proliferation and environmental mismanagement.

Land/Sea is a Ffotogallery Touring Exhibition, originally curated by David Drake, Ffotogallery, and Ben Borthwick, Plymouth Arts Centre. It was adapted for Aberystwyth Arts Centre by Ffion Rhys and Mike Perry. It includes a sonic work exploring the exhibition themes made by the artist and composer Matthew Lovett. The accompanying Ffotogallery publication includes contributions from the writers George Monbiot and Skye Sherwin.

Installation photograph, Plastiglomerates vitrine, National Museum Wales Coastal Currents Artist Residency film directed by Eilir Pierce


← Back